Open Studio: Sebastian Moody - QAGOMA Blog

Brisbane-based mostly conceptual artist Sebastian Moody talks about returning to operate at QAGOMA for his Open up Studio set up — and his formative encounters with Fluxus art at the Gallery — soon after practically 20 a long time. Visit Open up Studio at the Queensland Art Gallery for insights into the inventive practice of modern day Australian artists.

Sebastian Moody introduces the Open up Studio venture at?v=EGNwxoVIBc8

Mark Gomes: Open up Studio, with its target on viewers participation and inclusivity, shares an ethos with your get the job done, a ton of which has been produced for community areas and works by using language to take a look at how indicating is made and shared. Does your Open up Studio venture intention to connect folks in a very similar way?

Sebastian Moody: To get started with, I want to note that I worked as a Gallery and Visitor Services Officer at QAGOMA almost 20 several years in the past, and it’s seriously pleasant to be back again. Whilst performing at the Gallery — observing men and women wanting at artwork and contemplating about what artwork is — I realised everybody comes to artwork with what’s presently heading on in their very own heads. For me, art’s usually been a way to get people try to recognize how these tips entered their heads in the initially location. In this way, I feel my perform sits strongly in the tradition of classic, 1960s ‘capital C’ Conceptual Artwork. What I’m striving to do is get men and women to think about how they make their aesthetic alternatives, how they interpret is effective of artwork.

Open up Studio: Sebastian Moody

Set up views of ‘Open Studio: Sebastian Moody’

MG: Are there unique artists working in this vein you had been drawn to when researching in the QAGOMA Investigation Library and exploring the Selection for your Open Studio project?

SM: There are two major artists. The very first is the Swede Bengt af Klintberg and his Orange occasion of 1963, which I 1st try to remember viewing on exhibit at QAG when I was 17 or 18 in the Fluxus exhibition, ‘Francesco Conz and the Intermedia Avant-Garde’ (1997–98). It’s basically an instructional function for peeling an orange and lining all the items up in a row: in other terms, transforming a sphere into a line. I really like the very simple poetry of it. A lot of Klintberg’s will work have straightforward directions that, when you examine them, you form of accomplish in your intellect. Which to me is what Conceptual Art must do. You really do not need to have to make large public artworks — which is what submit-conceptualism is, when Conceptual Artwork was supplied a spending budget. Seriously, it is more than enough to only feel about these points.

The 2nd artist is Alison Knowles, who worked in New York and was a founding member of Fluxus. She has a good deal of instructional functions, way too, that illustrate what I mean. I consider, fundamentally, Fluxus was making an attempt to show you that you could be an artist. That, to me, is inspirational. I believe we have misplaced that punk, emancipatory angle, and it’s time to renew it. Nowadays, Fluxus artworks are revered in textbooks, but do they stand up when you really follow via their recommendations? Open Studio is a great justification for me to share these Conceptual artworks from the QAGOMA Selection with audiences, have them observe the guidance and really encourage an anybody-can-do-it mindset. Like the Fluxus artists, I am fascinated in techniques of earning art the place, as the writer, I never have to be accountable for the work — the viewers is.

Sebastian Moody spoke with Mark Gomes, Senior Editor, Print and Digital Media, QAGOMA in March 2022.

Bengt af Klintberg ‘Orange event no. 3 (1963)’

Bengt af Klintberg, Sweden b.1938 / Orange party no. 3 (1963) 1992 / Image-screenprint on paper / 100 x 70cm / Reward of Francesco Conz by way of the Queensland Artwork Gallery Foundation 1997 / Collection: Queensland Art Gallery | Gallery of Modern Art / © Bengt af Klintberg/Copyright Company

Alison Knowles ‘Leone D’Oro (portfolio)’

Alison Knowles, United States b.1933 / Leone D’Oro (portfolio) c.1978 / Photograph-screenprint on paper / 18 sheets: 40 x 40cm (every comp) / Gift of Francesco Conz 1991 / Assortment: Queensland Artwork Gallery | Gallery of Modern day Art / © Alison Knowles

QAGOMA Investigate Library

The QAGOMA Exploration Library’s exclusive collections are a loaded source of exploration content that consists of scarce and exclusive things to inspire and notify. Items consist of ephemera and objects (a frog skin, a rubber duck) to LPs, artist guides, unusual textbooks, correspondence, and photos. Noteworthy collections include things like the Peter Tyndall and Robert MacPherson Correspondence Archive 1970–2014 and the Asia Pacific Triennial Archive as nicely as a range of Fluxus-similar resources.

Stop by the QAGOMA Investigate Library on Stage 3, GOMA from Tuesday to Friday, 10am to 4.45pm to check out publications, exhibition catalogues and extra .  Unique collections are readily available by appointment.  

Sebastian Moody checking out the Peter Tyndall and Robert MacPherson Correspondence Archive in the QAGOMA Investigation Library / still left: Robert MacPherson, ‘Two Hand-Space’ Gloves 1982 ideal: ‘Hand-Space’1981 artist e book / © Robert MacPherson / Images: C Callistemon © QAGOMA

‘Open Studio: Sebastian Moody’ is at the Queensland Artwork Gallery from 28 May possibly – 25 Sep 2022.

Highlighted Picture: Sebastian Moody in ‘Open Studio’

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